What makes a Visa Infinite Dinner different is the melding of acclaimed chefs from outside of Toronto with well known local restaurants. My first experience brought together the 30+ year institution, Auberge du Pommier, with Mastard of Montreal, which is part of Canada’s 100 Best Restaurants. Together they created a food and beverage tasting menu ($282.50 per person inclusive of taxes and gratuities) combining the talents of two kitchens.

Don’t worry about arriving late to the weeknight dinner. With the 6:30pm start, the first bites of canapés didn’t start arriving until well past 7:00pm. And instantly I was intrigued on what the low-sided crystal bowl contained. The concentrated ham broth with cameline oil gave off a smoky ham-fueled flavour that was intense solo. But once I dipped a piece of brioche into consommé, the flavours mellow and combined nicely with the buttery toast studded with the sphere of meaty duck sausage.

Sweet and salty combinations run in the blood of both chefs. It’s evident in the brown cheese taco filled with whipped foie gras that creates a creamy and crunchy combination. It continues with the first taste of dessert, a spice cake that gets a savoury spike from black garlic emulsion. Get ready riders as we set off to Flavour Town.

Next station, a candied sockeye salmon that’s dense and chewy swimming in dill oil and dollops of smoked crème fraiche. I’m glad the dish incorporates a lot of green sorrel chiffonade as it helps neutralize the abundance of silky dill sauce. It’s a dish loved by the table, but I found it too oily (half the oil is sufficient) and salty.

Give me another slice of lettuce tart any day. Chef Simon Mathys undersells the dish as a mere combination of lettuce and caviar, but it’s so much more. The lettuce juice forms a silky custard with a vibrant green colour that screams of spring. They smartly went with a thin flaky tart shell that’s crispy and contrasts against the creamy centre. And of course, it’s finished with caviar, the saltiness complimenting the tart wonderfully.

Chugging along, the spring mushroom risotto was too overdone resembling a porridge packed with mushrooms, grilled wild onion, artichoke crisps, and first-of-the-season morels. Chef Kane Vane Ee notes how many contacts it took to source the morels, which were sublime and made the dish. Thank you for the hard work!

I enjoy dishes featuring different textures and enjoyed seeing the battered and deep-fried fowl in the quail and scallop. While the quail’s breast was a tad chewy, the drumstick was cooked to perfection and made me want to nosh through half a dozen more. The scallop was also seared nicely and paired well with the shrimp sauce, which had a bisque-like taste that made me wish I asked for a spoon.

A vibrant green tea opera cake finishes the luxurious spring menu continuing the lovely green colour palette. Thin even layers of almond sponge, chocolate ganache, and elderflower cream is painstakingly put together by Auberge’s new pastry chef. If you’ve read my historical visits to Auberge, I generally find the desserts boring and end with a cheese plate. That will change if the opera cake graces the menu.  

As the ride makes its way to the final stop around 10pm, the atmosphere has really shifted. They’re generous with the alcohol, regularly topping up wines and even the Diplomatico rum based cocktails for diners who want more. And with the liberal liberations, the once hushed diners start to let loose.

We almost don’t want to leave as the plate of petit fours are presented. I slowly made my way through the chewy pistachio macaron and sampled a bite from the two chocolates.

It could be due to the two extra glasses of Domain des Coutures L’Insolente saumur blanc kicking in, but it took me a couple of attempts to pick up the candied quince meringue… of course the top layer of cream can’t be held, move down to the crispy base instead! At last, the airy meringue, juicy cube of quince, and cool cream made for a great ending. Visa Infinite Dinner, until we meet again in June.

Don Alfonso 1890 originates from Sorrento within the Amalfi Coast of Italy. The Mediterranean restaurant has been awarded two Michelin stars and is known for their extensive wine list. While I haven’t visited the original location, it’s described as a picturesque boutique hotel that even has an onsite cooking school. In comes the Liberty Entertainment Group (owners of Casa Loma, Liberty Grand, etc.) who convinced Chef Ernesto Iaccarino to partner with them to open the new Toronto outpost. Of course, Chef Iaccarino will stay in Italy, hence the Toronto kitchen is led by Chef Saverio Macri, who trained with Chef Iaccarino for months.

Set in the former Rosewater Supper Club, the space is even lighter and brighter than before. Sitting in the soaring dining room, you can’t help but feel a sense of tranquility and awe. A few large art pieces draws interest, but otherwise the space is relatively neutral, so you can focus on the food.

In keeping with Don Alfonso’s tradition of using local ingredients, dishes like the Manitoba bison and Nova Scotia ling cod has been customized for the Canadian menu. However, they do import some ingredients to retain the Amalfi Coast flavours. For example, the olive oil that’s carefully poured onto the bread plate (with an indentation that separates the oil) is from Tuscany, a great pairing with their airy and salty focaccia. Also make sure to get their hot crispy mini baguette, this goes wonderfully with the truffle butter.

The 8-course tasting menu ($150 per person with vegetarian option available) consists of five savoury and three sweet dishes, wine pairings are an additional $100.

A collection of canapés arrives on a tree limb shaped plate, where the actual canapés are meant to resemble fall foliage. Each bite is different: yellowfin tuna tartare and parsley crisp a light start; bison tartare with chili chip resembled typical beef tartare; sea urchin with squid ink crisp finishes off with a bitter bite; and finally, meaty and refreshing rockfish ceviche with turmeric crisp, my favourite of the bunch. While each canapé is quickly finished in two bites, it must take a long time to make four different toppings with four different flavoured chips.

Admittedly, when I first saw the ice creamed eel course my stomach turned. Yet, what arrived was pleasant and tasted like a salty cream, not unlike Cesar dressing without the cheese and garlic. Once mixed into the wild rose scented tagliatelle, which by itself is also powerful, the saltiness and the floral flavour worked remarkably well. However, I’d suggest adding the creamed eel gradually into the pasta as the ratio given is unbalanced – for Don Alfonso, doubling the pasta and reducing the creamed eel by a third is advisable.

For some protein courses, dishes allow diners to flavour the meat to their preference. The seared Muscovy duck breast comes with three sauces: a balsamic reduction, a star anise glaze, and royal gala apple purée. It’s a nice touch to be able to mix-and-match to my liking – surprisingly, I enjoyed the star anise glaze the most. The duck was beautifully seared, if only there was more duck and less sauce.

Where the sauces didn’t work as well was for the bison. The San Marzano tomato and red chili reduction was a splitting taste of Frank’s Red Hot and the salsa verde, something that normally goes well with steak, just didn’t pair well.

With the bison wrapped with swiss chard, mozzarella, and a buttery bread crust, the dish was a cross between beef wellington and chicken cordon blue. While my husband believes a chimichurri would go well with it, I think a simple jus mixed with a sweet element (like a berry or current) would have been great – perhaps a little safe, but at least tastier. Luckily, the meat was flavourful enough on its own that I didn’t need the sauce, it was merely disappointing that the meal didn’t end stronger.

For other dishes, we’re told to aggressively mix everything together… to have the elements individually would be too plain. Sure, the mackerel in the vermicelli di gragnano was done beautifully and clean tasting, but once combined with caramelized onions, Alalonga tuna purée, and crunchy Silician pine nut pieces, it was even better. Some patrons may find the dish salty; for me, it was perfect. So much so, that I may go back for a larger plate from their a la carte menu ($28).

The menu describes the merluzzo as having a ‘crisp’ herb skin. While it was a thick sauce formed with six herbs, the skin on the ling cod wasn’t crispy. In fact, it really didn’t taste like much - if anything, the zucchini puree under the fish was stronger and gave the protein flavour. Regardless, it was a lovely lighter dish, adding some vegetables into the meal.

A sizeable portion of Ontario strawberry sorbet arrives as a palette cleanser, in between the savoury dishes and dessert. The pistachio glass is a nice decorative touch.

Dessert begins with something traditional, a Neapolitan sfogliatella, consisting of a flakey phyllo pastry filled with tons of cinnamon infused cream. So much pastry cream that it felt like we were having cinnamon mousse - I say more cone, less cream! Moreover, the amarena cherry glaze should be drizzled around the plate, given it’s an acquired taste (depends if you enjoy maraschino cherries), which I would have preferred to avoid.  

The last dish ends with a bang … or billowing smoke. A tray of petit four arrives with dry ice in the centre, which makes for a great presentation while keeping the sweets cold. The pastry of the deconstructed cannoli was delicious, the nuts adding a great crunch, but the almond cream wasn’t for me. My favourite was the creamy hazelnut semifreddo, which went particularly well with cappuccino. And the last bite, a silky olive oil truffle on a crunchy pistachio biscuit, a rich sweet ending that’s also notably balanced.  

Although $150 tasting menus are widely found in major cities worldwide, in Toronto it’s still one of the pricier options. Aside from the sturgeon caviar (used sparingly with the ice creamed eel), the ingredients aren’t particularly luxurious, so why does Don Alfonso command the price?

Aside from the tie-in to the Michelin-starred restaurant, likely due to the sheer amount of people working. A team of two assembles the canapes dish, which as the evening progressed expanded to three – three people to scoop premade toppings onto crisps. Every table is served in unison, no matter how large. And even opening a bottle of wine is an elaborate affair with the sommelier wheeling over a cart (complete with lit candle), slowly removing the cork, pouring the wine into a large crystal decanter, before presenting the cork on a silver platter and pouring the wine.

Or maybe it has something to do with all the tableware they need to purchase. Every course is served on a customized vessel with matching silverware, believed to showcase the characteristics of the dish. 

In other words, Don Alfonso offers an over-the-top experience that’s rarely found elsewhere in the city. They make you feel special … where else are you offered a tour of the kitchen and wine cellar before leaving the restaurant? It’s the place to go for a special occasion or when you really want to impress someone.

For a glimpse of the experience, you can also visit the second-floor lounge where they offer an a la carte menu, a mix of some tasting menu dishes and others created especially for their smaller kitchen. You may not get served in unison and the wine may not arrive elaborately with a cart, but you can try the tasty vermicelli di gragnano mackerel.

• Anything under 5 - I really disliked and will never go back
• 6 - decent restaurant but I likely won't return
• 7 - decent restaurant and I will likely return
• 8 - great restaurant that I'd be happy to recommend
• 9 - fantastic restaurant that I would love to visit regularly and highly recommend
• 10 - absolute perfection!

• Alo
• Edulis