Showing posts with label nigiri. Show all posts
Showing posts with label nigiri. Show all posts

Sushi Masaki Saito (Toronto)


Getting into Sushi Masaki Saito is probably the most frustrating part of the experience. Opened five days a week, the restaurant does two seatings nightly – up to five diners starting at 6pm and up to seven people at 8:30pm. Despite the odd number availability, trying to book for a table of three is impossible, and I had to eventually give up.

So, how did I get my reservation? It took weeks of signing onto Tock on Tuesdays at exactly 11am and searching a table for three (fail) and then quickly switching to a table for two (ding ding ding) before finally securing a reservation after several attempts. Reservations open one month in advance and the Tuesday time frame was when the Friday seatings were released. Good luck and may your patience be with you.

Arriving in front of 88 Avenue Road, a flight of stairs led us to their doorway past a set of navy drapes. As soon as I pushed through the cloth, smiling faces greeted me, beckoning me to come up to the warmth of the dining room. Before we were seated, they led us into a sitting area where we could peruse their sake menu while the chefs finished setting up and we waited for the other guests to arrive.

At $680 per person, dining at Masaki Saito is a special occasion affair where you’re paying a premium for these elements:

  • Their fish is flown in from Japan twice a week on a direct flight for maximum freshness. It’s interesting a direct flight is required given so much of their ingredients are aged before consumption. Presumably, having the fish aged in kelp or hung is very different than sitting packed in ice.
  • Rice, being the cornerstone of sushi, is equally if not more important. Saito buys award winning rice from the Nikka prefecture from a supplier that exclusively sells to them in Canada. You can taste the difference: the rice is sticky but also fluffy so that you can feel each grain as you bite through it.  Mixed with a blend of five red vinegars, the rice takes on a brown hue that’s unlike other sushi I’ve sampled.
  • Condiments are also made in-house, their ginger takes a week to develop and uses bamboo ginger so that it’s really crisp, fresh, and not overly pungent. Even the wasabi is enhanced by having the chef chop to the group wasabi root to make a really smooth paste.
  • You’re paying for the décor, including the sushi counter made from 200-year old Hinoki wood imported from Japan. Sadly, their roof collapsed during COVID, so parts of the bar are damaged, but it still has a lovely, reclaimed wood look. Their wood cabinetry was also made by craftsmen in Japan to make you feel like you’re dining in Edo.
  • Rest assured, despite being over a 2-hour dinner, you’ll be comfortable on the oversized plush bar stools. The design of the sushi bar is well thought out with an under-counter shelf to store purses and a raised marble ledge that acts as a footrest. You don’t even need to reach for the dishes as Chef Saito places them down, a server quickly whisks it from the bar and transfers it in front of you.
  • Ultimately, you’re paying for Masaki Saito who is there the whole time, preparing and serving the courses. No step is below him from grinding the wasabi to mixing the vinegar into the sushi rice (a technique that’s taken him ten years to perfect).

Seven appetizers began the meal before the first nigiri made an appearance. Octopus was slowly simmered allowing the outer layer of the tentacle to become gelatinous, almost like pork belly, while the centre remained meaty and tender. Simmered in a roasted green tea, it’s already flavourful but with a dollop of spicy yuzu it morphed into a vibrant bite. With two pieces, I’d recommend having one solo and another with the spice.

The potential gumminess of the raw Botan ebi was minimized by marinating the sweet shrimp in a fermented rice sauce allowing the seafood to soak in flavours and mellow. At Masaki Saito, there’s certainly no shortage of uni, the first topped the shrimp and created a chewy creamy bite with a refreshing finish from the citrusy sisho flowers.

Even though Chef Saito removed the skin off the saba and the mackerel was seared and paired with grated daikon, I still found it tasted fishier than I’d like. Hello taste buds! Let me grab a sip of sake to chase that away.

Another fantastic uni combo followed paired with deep-fried tile fish and its scales. The meatiness of the fish, crunchiness of the scales, and silkiness of the sea urchin was an amazing combination and one of my favourite bites of the evening. We’re told to eat it in one bite… do yourself a favour and give it a minute to cool down as it’s incredibly hot and I would have scorched my tongue if it weren’t for the cold relief of the uni.

Chef Saito derives inspiration from various Japanese cuisine including shabu shabu, which inspired the luscious sesame sauce he coats slices of wild yellowtail into so that the delicate fish was swathed in a fragrant paste made from three types of sesame, soy, and chili oil.

Soaked in the rich sesame, the yellowtail has a tuna-like finish, and the starter feels like eating salad with the fish topped with fine slivers of ginger, green onion and sisho leaf. Be sure to smell the dish before eating. It’s so aromatic and consequently also why the restaurant recommends not wearing strong perfumes to dinner.

Cue the dreaded shirako, a blubbery fish sperm sack I’ve tried in Japan that’s haunted me. They jokingly describe it as a roasted marshmallow… good luck convincing a kid to put this into a smore! Roasted over glowing hot Japanese oak, the milt roe is simply topped with cool caviar.

The shirako is soft and creamy, akin to a silken tofu, and thankfully didn’t have the gross bitter fishiness I experienced in Japan. While this still isn’t my favourite piece, it was nonetheless a good bite and I loved that it brought out Chef Saito’s cheekiness as he described his thought process of pairing the sperm with eggs.

And the last appetizer was a bowl of pickled Japanese cabbage with orange zest, a nice palette cleanser between the shirako and sushi.

We’re advised that Chef Saito prefers to serve his sushi hand-to-hand so that the rice remains at the optimal body temperature and diners can put it directly into their mouth with the fish side down. Consequently, this is why I’m missing some sushi photos and the ones that are shown aren’t the greatest quality … I indulged hand-to-hand prior to sneaking a photo of my neighbour’s bite.

A golden eye snapper that’s aged for a scant four days (compared to some of the other seafood that follows) begins the sushi procession. Having been aged in kelp, the seaweed gives the fish another level of umami creating a lovely taste that lingered on the tongue.

After the first piece, we’re advised that Chef Saito can customize the bites to our tastes, whether we want more or less rice or wasabi. Indeed, this level of precision is certainly a factor that likely helped Sushi Masaki Saito earn a second star.

Another dish that was a miss for me was the ark shell clam. Perhaps it was because I was already traumatized after a staff member told me it was alive as the chef scored it - realizing a living creature was suffering was certainly something I didn’t need to hear. It also doesn’t look the greatest spread out on the cutting board… it looks awfully like it could be part of a women’s anatomy. Ultimately, it just didn’t taste good: the clam needed a stronger glaze or condiment to cover the gaminess of the seafood. In the end, if the clam was dropped from the menu, it wouldn’t be missed.

Chef Saito then takes the skirt of the ark shell clam and creates a maki wrapping it with spices and sisho leaf. Having been marinated and well rinsed, the gaminess of the clam was subdued. Still, the crunchy texture of the mollusk is still an acquired taste.

Luckily, it was followed by a stronger hay-seared Spanish mackerel, which had a lovely meaty smokiness. Unlike the prior mackerel, this was not fishy, despite only being garnished with a rich soy sauce.

As soon the blubbery bits of fish liver were presented, I knew we were in for a treat. Chef Saito sandwiched the liver between a slice a file fish and rice to create an incredible texture combination: as you bite through the fish’s soft flesh, you’re greeted with the silky liver filling.

We’re told not many chefs create this sushi as it takes skill to ensure it all holds together. I love how they are using different parts of the fish, perhaps topping this with a couple of crunchy fish scales would make for an even more fulsome presentation.

Next, a seven-day dry aged toro was served and the blue fin tuna was of course an explosion of flavour. At Saito, theirs was less greasy and the flavour lingered longer on the tongue.

If you like stir-fried ginger and onion lobster, the following needle fish has a flavour reminiscent of the dish thanks to the finely chopped scallion paste topping the fish and the ginger paste inside. It’s a bit surprising these stronger flavours were used on the needle fish, which seems like a more neutral fish. While delicious, this should have been paired with the ark shell clam to mask its gaminess better.

The meaty piece of lightly grilled sea perch would be great on its own. But then, it’s hardly luxurious. Chef Saito amped up the luxe factor by serving the fish on top of whipped uni sushi rice - the combination of sea urchin, spices, and rice created a decadent over-the-top risotto. Dried four-year old fish eggs topped the perch creating a plethora of flavours and textures that made me wish I could sample each separately. It should be eaten all together, the chef says, so I listened and devoured it in two incredible bites.

A pale fish that looked like needle fish followed, except it was actually slow poached sea eel. Chef Saito slathered a thick molasses-like sauce on top and added hint of spice with Sandro pepper. The unagi was unlike others I’ve had; it melted into the rice and tongue flooding my mouth with a sweet umami essence.

On the left of the sushi bar, you’ll notice a trio of brand name chests on display. Chef Saito pulled out the LV one and joked it’s his tuna chest (the others house caviar and truffle as well as a rare whisky). Within the tuna chest, we were treated to a toro and pickled daikon paste. Nori was toasted piece-by-piece and presented to Chef Saito who quickly added rice, spices, and the tuna paste before handed it to me, so the seaweed was still hot and crispy. Yum!

As the tomago arrived, I got ready for the meal to end. And while we had sampled so much, like all great meals, I was still yearning for more. Saito’s egg cake was mixed with Japanese mountain potato and sweet shrimp so while there was a sweetness to the tomago, it also had a rich savouriness.

After the sushi, Chef Saito thanked us and left to clean up before the second seating. There’s a bit of confusion as we thought it was time to settle the bill. No, not quite yet. A bowl of miso soup arrives, made with different types of miso and a broth developed with several fish.

Of course, Saito doesn’t simply boil the broth the day of, it was cooked over seven days to concentrate the flavours. In the end, the miso soup was rich but not overly salty and while I did need to stir the miso into the broth, it also didn’t separate much either. As a finish, pieces of finely chopped seaweed and scallions were added to make the soup more substantial.

Surprisingly, dessert was not a slice of musk melon - this is reserved for birthdays and anniversaries - but rather an actual sweet treat. The matcha blancmange consisted of a silky coconut milk base, topped with smooth thickened matcha and a single red bean that’s oh so creamy. A heavenly way to end the meal.

The meal was exquisite and being in such close proximity to Chef Saito we were able to converse with him. He’s certainly happy with the Michelin recognition but is quick to point out the earning the accolade was a group effort. Still, he will not rest of his laurels and knows he will continue to develop and improve his craft. The life of a true chef.

Note to diners: Tipping isn’t the easiest affair as the pay terminal doesn’t have a % calculation option and you need to add back the prepaid portion when doing your own calculation. Hopefully, Sushi Masaki Saito will eventually just charge the entire meal experience up front on Tock with taxes and gratuities (a practice many other restaurants follow). That way, guests only need to settle the drinks on the day of, making it an easier calculation for all. 

Overall mark - 8 out of 10


How To Find Them
 Location: Toronto, Canada
 Address: 88 Avenue Road


Follow me on twitter to chat, be notified about new posts and more - https://twitter.com/GastroWorldBlog
____________________________
Gastro World's Grading System

  • Anything under 5 - I really disliked and will never go back
  • 6 - decent restaurant but I likely won't return
  • 7 - decent restaurant and I will likely return
  • 8 - great restaurant that I'd be happy to recommend
  • 9 - fantastic restaurant that I would love to visit regularly and highly recommend
  • 10 - absolute perfection!


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The Sushi Bar Revisited in 2022 (Toronto)

If you could get any vanity license plate for your car, what would it say? The owner of Sushi Bar would use “Dr Sushi” as indicated by the plates hung on the wall, it’s a whimsical touch I hadn’t noticed in the past, along with pictures of family and friends that provide a glimpse into their private lives.

The wall is also where they post their specials including black cod sushi and lobster maki. The black cod sushi ($10 for 2 pieces) is an interesting take on the fish, the nigiri torched tableside so the fish’s fat begins to melt forming slight layers in the cod. Being a denser fish, it does need a fair amount of flavour and while the sweet soy was a start, it needed something else for interest. After the experience, I’m still on the fence of whether a nigiri is the best use of this prized fish.

My preference is still for the baked miso marinated black cod ($15) where the fish is hot and flaky and infused with a slightly sweet umami flavour. The palm-sized portion is just enough for sharing amongst two people.

Sushi Bar’s other a-la-carte nigiri is just as good with large pieces of barbeque eel on the unagi and a thick slice of ruby red tuna on the maguro (both $7 for 2 pieces).

Displaying the lobster on top of the lobster roll ($18) was a great idea as it becomes the first thing you taste, and diners can see the full tail in its glory. However, it was already overcooked and blowtorching it at the table made it even more dry and chewy. Ideally, they should undercook it to begin, and the torching will help heat and finish off the doneness at the table. It’s a dish with promise and the thin cucumber lantern a great idea for a beautiful garnish.

Starting every meal is a bowl of rice crackers that arrives with drinks, a pre-pandemic tradition that I’m glad has been kept, providing something to snack on as we peruse the menu. A new addition is an amuse bouche of seafood, squid, and seaweed salads, enough for a bite each to enjoy while the rest of the meal arrives.

As the temperature drops, the complimentary starter is sometimes a rich hot bowl of miso soup with cubes of tofu and seaweed flakes. A welcomed respite after a cool walk to the restaurant.

With a variety of maki available, the black dragon ($17) was an interesting take on the fancier dynamite roll. In this case, sweet-glazed barbeque eel, tempura bits, fish roe, and green onion wrapped around the shrimp tempura. It’s a colourful creation offering a variety of textures and flavours and it’s ideal that the pieces aren’t overly large so that they are enjoyed in one bite.

The red dragon ($17) is just as good, substituting the barbeque eel for salmon instead. If you’re in the mood for shrimp tempura ($8 for 3 pieces), I’d recommend having it in maki-form as the fried shrimp by itself is underwhelming, the batter too thick and the temperature tepid at best.

Upsold to the tuna tartare roll ($10), we should have stuck with the tried-and-true spicy tuna ($8). In the tartare, the tuna too pulverized and the filling including dreaded tempura bits that causes the roll to become gummy. It also needs more heat to be considered spicy tuna.

Despite their name, Sushi Bar also makes a variety of non-sushi dishes. You get a hefty portion of hamachi kama ($19) with the full portion, a meaty cut of the fish’s jaw. A thicker cut, there were parts of the fish that could have been done a touch less but being a bone-in piece, it can be hard to gauge. Nevertheless, the skin was crispy and the fish hot and delicious. Served with a radish ponzu soy sauce, a bit more salt sprinkled onto the fish would help it pop.

Since our past visits, my husband and I noticed an improvement at Sushi Bar: the maki seemingly contains less rice and are cut to the perfect bite-sized pieces and more emphasis is placed on plating the izakaya-type dishes.

There’s also a host of regulars, stopping by the open kitchen to speak to everyone before departing the restaurant. This creates a cozy neighbourhood-feel to Sushi Bar that matches the photos adorning the walls. As Mr. Rogers sang, “A beautiful day for a neighbour. Would you be mine? Could you be mine?”

Overall mark - 7 out of 10



How To Find Them
 Location: Toronto, Canada
 Address: 3365 Yonge Street


Follow me on twitter to chat, be notified about new posts and more - https://twitter.com/GastroWorldBlog
____________________________
Gastro World's Grading System

  • Anything under 5 - I really disliked and will never go back
  • 6 - decent restaurant but I likely won't return
  • 7 - decent restaurant and I will likely return
  • 8 - great restaurant that I'd be happy to recommend
  • 9 - fantastic restaurant that I would love to visit regularly and highly recommend
  • 10 - absolute perfection!


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Planta Queen (Toronto)



I don’t often have sushi in a restaurant whose menu isn’t entirely Japanese, but Planta Queen’s nigiri is so inventive that you should try it once. As the ahi watermelon ($5.25 for two) and unagi eggplant ($5.25 for two) are placed before us, I’m marveled by how much they look like lean tuna and mackerel. In reality, the consistency and taste doesn’t resemble fish – the watermelon has a strong ginger flavour and the eggplant a slight smokiness – yet, it also doesn’t taste like the fruit or vegetable it’s made from. It just works!


The ahi watermelon makes its way into the rainbow roll ($15) and spicy tuna roll ($15) as well. Of the two, the rainbow roll has more interest: the soft pressed watermelon paired with creamy avocado and mayo, crispy romaine, and a sliver of bright shiso leaf. The spicy tuna roll is fine, but relies a lot on the spicy aioli for flavour.


You wouldn’t want an entire order of gomae ($12.25) for yourself. Even though it’s essentially just boiled spinach tossed in a sesame dressing with crisped rice thrown on top, the nutty sauce is also what makes it fairly rich as well. Yet, when shared, it’s a nice way to start the meal or even to finish off with something refreshing.  


On the other hand, I could easily down an entire bowl of the mushroom dashi ($8.95). It’s everything you want during the winter: a warm bowl of rich consommé, enoki and shiitake mushrooms peppered throughout, and cubes of delicate tofu sitting at the bottom. It’s simple and heavenly.


Planta’s Hakka rice noodles ($17.50) doesn’t really taste like anything I’ve ever had at a Hakka restaurant, but it could easily grace the menu of a Thai establishment. The coconut green curry base has a lovely aroma and a hint of heat, but could use more salt. As it stands, the dish of rice noodles with tofu and Chinese broccoli (gai lan) was fine but didn’t overly excite.


The udon ($18.75) was a hundred times better. In this case, the rice noodles (since we were having the gluten free version) was tossed in truffle oil and coconut milk creating a creamy base that would make Alfredo weep. There’s no shortage of mushrooms in the dish and is finished off with some snow pea leaves for colour and freshness. Would this dish paired with a bowl of mushroom dashi be too much fungi for one person to handle? Challenge accepted.


In general, Planta Queen uses a lot of truffles, whether it be the infused oil or the real deal. Even the maitake mushroom fried rice ($28) comes with shaved truffle on top, which truthfully doesn’t add that much to the experience. Overall, I expected the dish to offer more – something bursting with wok hay and an umami essence galore. Instead, it was pretty average fried rice with shaved truffles on top.


After the heavier mains, we thought the lemon curd ($12.35) would be a lighter finish to the meal. It certainly was a refreshing end, but the combination of lemon custard with passion fruit gelato makes for such a tarte finish that I’m puckering up thinking of the bite. The meringue needed to be sweeter and the matcha powder dropped all together as the combination of acidic citrus with bitter powder wasn’t necessarily the greatest.



For those who are celiac, you’d be happy to know every dish in this post is celiac friendly and vegan. Planta Queen certainly has an impressive menu of options for various food sensitivities. Best yet, they’re actually tasty and makes you realize that Asian food could easily forgo all the meat, eggs, and gluten and still be fantastic. Mushroom dashi, until we meet again.

Overall mark - 8 out of 10



How To Find Them
 Location: Toronto, Canada
 Address: 180 Queen Street West 

Follow me on twitter to chat, be notified about new posts and more - https://twitter.com/GastroWorldBlog
____________________________
Gastro World's Grading System

  • Anything under 5 - I really disliked and will never go back
  • 6 - decent restaurant but I likely won't return
  • 7 - decent restaurant and I will likely return
  • 8 - great restaurant that I'd be happy to recommend
  • 9 - fantastic restaurant that I would love to visit regularly and highly recommend
  • 10 - absolute perfection!


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Yasu (Toronto)

Location: Toronto, Canada
Address: 81 Harbord Street
Website: http://www.yasu-sushibar.com/
Type of Meal: Dinner


Yasu tops my list for traditional sushi in Toronto. No, there's not going to be dynamite rolls but you will find a train of nigiri served piece-by-piece so each one is fresh and at the optimal temperature. Chris Nuttall-Smith, the Globe and Mail’s food critic, gave it a rave review. Nonetheless, I set my expectations low as the only point of comparison to Yasu I have is Jiro Roppongi (a two Michelin star restaurant in Japan where they live and breathe sushi).

I’m happy to say my expectations were blown away! To be fair, Jiro was still a better experience (the deftness/evenness of the fish slices, the flavouring of the rice and meticulous preparation of each ingredient). But, for less than half the price, Yasu was absolutely amazing! If Canada ever awarded Michelin ratings they would be at least a star.

With only two 12-person seatings per day (at 6pm and 8:30pm) space is limited. With the exception of a table for two, all other spots are located around a sushi bar so patrons can watch the two chefs prepare each piece in anticipation.


It’s an omakase menu ($80/person), meaning you essentially eat what you’re served.  They will inquire about allergies at the onset but I discourage visiting if you have aversions to seafood, rice or seaweed. We eagerly waited as the 18 pieces were crafted in front of us. Each prepared with a recommended amount of wasabi and sauce so once placed in front, all you need to do is try not to make a mess gobbling it down.

To begin striped jack (shima aji) a neutral white fish that was great to warm up the palette.


Next a beautifully coloured salmon (sake), which was lean so that the fish oil taste was not over whelming.


My husband and I both agreed the horse mackerel (aji) at Yasu was much crisper tasting than the ones we’ve had in Japan. So, if you’re normally turned off by the strong fish essence of mackerel you may still enjoy this.


A vibrant piece of marinated lean tuna (maguro) arrived next. It was just ever so lightly seasoned so that the delicate fish took on a bit of sweetness.


Yasu lightly blow torches their scallop (hotate) rather than serving it completely raw, helping to counteract the gummy texture.  Topped with just a pinch of yuzu pepper it was already spicy enough to warm up our mouths. I was so excited to eat it that I forgot to take a picture of the scallop in its fully dressed glory.


The fifth piece consisted of monk fish foie gras (ankimo) with shiso leaf. Another excellent combination with the creaminess from the liver balanced by the citrus basil element of the shiso leaf.


This was followed by a piece of sea bass (suzuki), another crisp, clean and mild fish which is a nice contrast after the richer liver.


Although the Chef removed the skin from the sardine (iwashi), this tends to be a fish that has a stronger taste. Luckily, Yasu tops it with some ginger and green onion to counteract the fishiness and make it milder.


The marinated salmon roe (ikura no shoyu zuke) was quite nice and served make-your-own hand roll style with a sprinkling of freshly grated lime zest. I appreciated the extra big piece of toasted nori to fully encapsulate all the roe so I could take smaller bites (with no fear of making a mess) and really enjoy the briny flavours. 


Indeed, the snow crab (zuwai gani) was good but, in my opinion, would have been better if the crab was boiled and removed from its shell just prior to serving. In the end, it lacked the sweetness that I expected from crab meat.


The following sea bream (tai) was soft and had a surprisingly creamy texture that was quite enjoyable.


Another piece of mackerel was served next (except not the horse version) so was more intensely flavoured. The large slice of pickled daikon and sprinkling of green onion helped to counteract its essence.


Fatty tuna (otoro) is always a treat. Yasu blow torched it to let out some of the oil’s essence and topped with freshly grated wasabi. An absolutely delicious piece of sushi.


After the rich otoro, the yellow tailed amber jack (buri) almost acted as a palette cleanser with its refreshingly light taste.


Another one of my favourite pieces of the night was the stunning looking lightly charred bonito (katsuo). The fish itself was delicious and fresh and had a kick to it from the pepper rub used.


Each individual was offered a tuna hand roll next. The seaweed (nori) was lightly toasted on the oven then filled with chopped tuna, shiso leaf and wasabi. It left my eyes watering and me breathing heavily to rid my nose of its burning sensation.

 

Sadly, I was too anxious to eat the eel (unagi) that followed and forgot to take a picture. Trust me when I say there was a nice big piece of it. It had been roasting on the grill during our dinner then topped with a thick sweet glaze complimenting the tender meat. I can still taste it now…

Our last piece of sushi was egg (tamago) without rice, a light and slightly sweet ending.


Yasu offers a choice of desserts at the end of the meal. The sesame ice cream was the popular choice amongst the diners that evening. It was delightful with a fluffy texture but still had an intense black sesame flavour.


Meanwhile, the green tea panna cotta was much richer and creamy. I enjoyed the addition of maple syrup drizzled on top as it added sweetness but also masked the subtle green tea flavour of the panna cotta itself. All in all, not a bad dessert.


Yasu’s drink menu is one area that can be improved. With only Chardonnay offered by the glass it presented limited options for single wine drinkers. My husband and I ordered beer instead (Asahi and Kirin) and they arrived in frosted glasses. He believes they were stored in the same fridge as the fish, as when it first arrived, he found a faint fish smell on his glass, but not something I noticed.

Do yourself a favour and make reservations soon before it becomes impossible. I was able to score our spots two weeks in advance but overhead the waitress telling another couple that smaller tables now have a month lead time and large seatings even more. If you want to eat traditional sushi the way it’s meant to be prepared, Yasu is definitely the place to visit in Toronto. 

Overall mark - 9.5 out of 10



Follow me on twitter to chat, be notified about new posts and more - https://twitter.com/GastroWorldBlog

____________________________
Gastro World's Grading System

  • Anything under 5 - I really disliked and will never go back
  • - decent restaurant but I likely won't return
  • 7 - decent restaurant and I will likely return
  • 8 - great restaurant that I'd be happy to recommend
  • 9 - fantastic restaurant that I would love to visit regularly and highly recommend
  • 10 - absolute perfection!


Is That It? I Want More!

Other Gastro World posts similar to this: