Quetzal has really changed from our first visit. It’s busy and absolutely buzzing on a Thursday evening, likely thanks to their one Michelin star rating. And they started offering a tasting menu ($125 per person) to really increase the dishes each duo can try. They even have an “off menu” version, where you’re presented with some dishes that aren’t available a la carte or adjusted based on seasonal ingredients. You don’t have to ask me twice; off menu we go.

Note: This post contains the prices for dishes that are available a la carte. Portion sizes will likely be larger than what’s pictured.

Almost every table seemed to order the dry aged amberjack aguachile ($32). It’s certainly stunning with the ruby pink rhubarb juice studded with scallion oil, a mild but refreshing accompaniment to the fish. Having been dried aged, the amberjack was denser but still tender and the dollop of pasilla and chickpea miso gave it a bright pop of flavour. While I could have done without the jicama slice (it’s a bit dry and sucks some of the flavour out of the dish), the garnish does add to the dish’s presentation – just enjoy this separately.

Then things get interesting: we’re asked if we’d like to have a drink with the remaining rhubarb juice. Um, yes! Spooned into shot glasses and mixed with mezcal, the flavour profile completely changes from tart to savoury and spicy. It’s like magic.

Our next dish goes off the menu with a flatiron steak tartare. This needs to get on the menu as it was one of the best tartare I’ve had. Diced beef was mixed with olive, chilis, and something slightly crunchy (fried capers or puffed rice?) creating a wonderful varying bite. But it’s the airy hollandaise crowning the tartare that stole the show, adding a creamy element that’s not unlike aioli but much fresher and lighter.

The following memela is available on their menu, but the tasting gives it a different take. The toasted blue masa tortilla was covered with melted cheese, poblano (?) sauce, mushrooms, and pickled cactus, and a host of other ingredients. Together it created what I’ll describe as an amazing deep dish Mexican pizza, without the excess sauce and breading. One of these with a salad would be a great meal for one.

Who would have thought popcorn (albeit in powdered form) would pair well with Newfoundland scallops ($39)? A meaty sweet scallop, salty butter powder, herby garlic butter, and sprinkling of tangy Tajin created a delicious bite. Like Lays tag line goes… they’re so good, you can’t just have one.

While the hulking bone marrow and wild Argentinian shrimp ($52) looked impressive, it doesn’t work with tortillas – the flat bread doesn’t have the capacity to soak up the oily juices and the marrow was too blubbery to spread on the smooth surface. In the end, you have a slightly oily tortilla with a clump of blubber in the centre.

Still, I followed their instructions to scoop a bit of marrow onto a tortilla, add a piece of beautifully grilled shrimp, and top with a squeeze of lime. It’s edible, but I feel like the shrimp paired with slices of lardo it would work even better. Just make sure to scrape some of the honey glaze from the bone marrow as its burst of smoky sweetness brings the taco to a whole new level.

Every course is accompanied with tortilla, so by this time I’m getting full. Hence, if you’re doing the tasting menu, hold off on finishing all the tortillas at the beginning. Another plate arrives with the grilled hanger steak, and they complement this dish perfectly, so you’ll want the room in your stomach. Slathered with the black garlic mole negro and wrapped around steak, shishito pepper, mushroom, and sprinkled with queso fresco, you have yourself a delicious taco.

Still, if you’re too full, each element tastes great solo. The steak was tender and beautifully cooked. Add some of the earthy and slightly sweet mole negro for a deeper flavour.

Grilled maitake mushrooms are such a treat and Quetzal provides a generous portion alongside oyster mushrooms in the mushroom and shishito ($26). Having developed a crust, the mushrooms take on a meatiness with a creamy spiciness from the poblano crema and ancho sauce.

I’m glad it’s all paired with the Clearwater Farm tomato and cucumber salad ($25) as I really needed something light and refreshing to end the meal. A variety of tomatoes and crispy de-skinned cucumber are tossed with pickled garlic scape, queso fresco, fermented anaheim crema, garlic crisps, and shiso so the salad was anything but boring.

Surprisingly, the coconut nicuatole ($17) was the richer dessert of the two presented. The coconut cream was thickened with masa creating a luscious pudding that resembled tapioca or rice counterparts. I just wish there were more pieces of the compressed pineapple soaked in mezcal to go with each bite as it really jazzed up the nicuatole.

The spiced Mexican chocolate ($16) was airy and almost glided across the tongue. Crispy sponge toffee adds crunch while passionfruit provides freshness. I normally hate chocolate and fruit desserts but didn’t mind this one.

Usually, I don’t like eating at the bar, but scoring a last-minute reservation didn’t leave many options. Luckily, the bar seats were the next best thing to the Chef’s table - the bartenders were so friendly and even educated on the dishes.

Of course, they are even more knowledgeable about mezcal, so if you want to sample this spirit, Quetzal is the place to visit. They have an amazing selection and if you provide a price point, they’ll bring forward some options and describe each one in detail. It’s how we settled on the Colores ($57), after finding out the high-end bottle at $150 per oz was too rich for our blood.

It just seemed appropriate to end with a sip of mezcal. After all, it brings our tasting full circle, having started us off when mixed with the rhubarb juice from the amberjack. 

If you enjoy bold flavours, Azura’s tasting menu ($128 per person) will have your tastebuds in a tizzy. And since the restaurant serves a blind tasting menu, your taste buds won’t know what’s to come as they’re introduced to spices, herbs, and sauces galore.

Focused on foods from the Mediterranean, the canapés begin with a Moroccan flair. The beet tart was beautiful to behold but also surprisingly bitter for a dish made with sweet root vegetables. The beets did little to stave off the bitter bite from the rhubarb harissa paste and small white flowers. The geraniums also made the tart much too floral tasting. As beautiful as it was, it was a disappointing start.

The avgotaraho moved the menu in the right direction, a crispy piece of panisse topped with labneh and red mullet roe. It’s creamy, salty, tangy, and messy to eat. I’d recommend making the panisse based thinner and wider so it becomes more of a two-bite canapé and would also allow the panisse to taste less dense.

Progressively things became tastier, the cigar looking concoction revealing a smoked cannoli stuffed with albacore tuna. It’s a delicious burst of smokiness balanced with acidity and a host of spices.

To end the canapés, a shrimp mousse piped into choux pastry, which had a sweet and savoury element. I loved the bright ingredients of pickled rhubarb and preserved citrus that helped lighten the umami-laced cream, Chef Adam should consider using this mousse in the beet tart.

Despite the scallop being overpowered by the date and pomegranate vinegarette, it was nonetheless prepared beautifully, so clean and luscious. Covered in creamy avocado and topped with salty fried okra and chili slices, it’s a starter that offers so many flavours and textures.

We’re told the halibut is inspired by one of Chef Adam’s favourite late-night snacks - the shawarma. While the fish could be cooked a touch less, it’s meatiness really held up with all the spices, tahini, and the cauliflower and couscous (?) medley. Who would have thought that fish would make for a great shawarma?

The celeriac was seared until it developed a lovely, caramelized crust emitting a slight smokiness. At once creamy a slightly crunchy, the root vegetable paired nicely with the earthiness of the blue foot mushrooms and refreshing watercress puree. This was one of my top three dishes of the evening.

Yet, the best dish of the meal, the one that had me swooning for more was the Iberico secreto. It’s described as a cut from the neck to arm pit area of the prized Spanish pig that’s known for it’s marbling. Having had Iberico in ham and sausage formats on numerous occasions, why has it taken me so long to have it seared?

Absolutely incredible, the crispy skin and fat makes the protein almost seem duck like but without any gaminess and even juicier. It’s a dish that’s only found on the full tasting menu (not the condensed version) and with the constantly changing offerings, a treat when the ingredient can be sourced.

Chef Adam should consider reordering the menu if a guest adds on the wagyu course (supplemental $55). After the incredible Iberico the beef was boring. My slice was also chewy given it was overcooked and had a muscle fibre running through it. If anything, the wild French asparagus and andouille stuffed morels delighted me more than the beef.

As we near the end of the savoury courses, an entire feast arrives with the venison leg tagine.  The protein was served with dishes of preserved lemon, smoked cucumber and eggplant hummus, olives, pita, and smoked sweet potato. We’re told to divide the pita into four and have the venison with each of the accompaniments individually.

My advice: create small bite sized “tacos” and have the meat with everything all at once. Otherwise, it just tastes too plain. I found the venison too lean and would have liked something that had a bit of fat or gelatinous cartilage incorporated into it – perhaps chunks of brisket or mutton? And I’d just skip the streusel sweet potato all together.

While I enjoyed the asparagus, it’s procession in the menu seems out of place. The vegetable was augmented with bold sides: porcini paste, kefalograviera cheese (like Parmesan but lighter), and something very peppery. If anything, the vegetable would have been nicer before all the meat dishes (it’s pepperiness highlighting the flavours to come) and the sweeter and lighter celeriac creating a better flow into desserts.

With tasting menus, I often find the desserts to be decent at best but not overly memorable. The fig newton could be considered one of those dishes – tasty but safe. A lemon poppyseed cake that sandwiches fig jam, there’s a really comforting quality to the dessert and is perfect for those who like a dessert that’s not overly sweet.

Yet, the last mortadella blew me away and was my second favourite dish. Firstly, it had me fooled – I was so sure it was a piece of meat on the bread. In reality, it is ruby chocolate studded with pistachio and shaved serrano ham. Moreover, there’s some sort of powder that looks like cheese but is so wispy light and creamy. Sweet, creamy, nutty, savoury, and tangy elements all combine to make for an incredible last dish. Give me more desserts like this any day.  

In fact, I should just have ended it on a high and not had the last bite of “Ferrero Rocher”. Hard and dense, there’s no crispy or creamy elements that you’d expect with the famed dessert. Azura needs to make these smaller or better yet, end with something more Mediterranean like a square of baklava instead.

In earlier posts on Gastro World, I’ve been complaining that Toronto’s tasting menus are morphing to become too Euro Japanese. At Azura you won’t find a lick of this – thank God! In fact, it’s one of the most unique tasting menus I’ve had in a while. A theme that continues into the wine offerings from little known regions. Combined with their friendly down-to-earth service and I’m smitten with Azura. I can’t wait to go back, but that Iberico secreto better make an appearance. 

Read mainstream articles written about And/Ore and their two-in-one concept and stunning décor are well cited characteristics. With that in mind, I’m not going to rehash these details and instead focus on Ore, the restaurant located on the bottom floor of the building.

As you descend by elevator into the cavernous dining room, it gives off a haunting tunnel-like ambiance. It’s here they serve their 8-course tasting menu ($150) with an optional wine pairing ($80) that’s begins with a glass of champagne and ends with a cocktail (in our case, a floral espresso martini).

The starting bites were a hit and a miss. The hit being a crispy and creamy arancini adorned with aioli and truffle shavings that made for an amazing first taste. This was followed by the biggest miss of the evening, a fishy tasting piece of fluke that couldn’t even be saved by the grapefruit segments. I quickly chased this down with the tuille wonton topped with caviar, which would seem inventive if it weren’t for the off-putting taste still lingering in my mouth.

At least the Timbit sized bread was as delicious as it looked: hot, soft, and buttery… three words that all milk bread should aspire to achieve.

Beautifully caramelized, the scallop was just cooked through and sat in a delicious lettuce and leek oil sauce. At first glance, the sheer number of hazelnuts and diced pear seemed excessive, but somehow worked. In fact, for someone who dislikes nuts and fruit on savoury things, I really enjoyed the dish.

Our table unanimously declared the maitake as our favourite item. The mushroom was cooked perfectly taking on a meaty feel. The celeriac base held a hint of curry, but the entire dish mellowed with a splash of vinegar. The only miss was the unfortunate wine pairing, which I can only describe as “salon-like” with its aroma of perming solution and soapy floral taste.

Chef Missy Hui should consider leaning more towards a “vegetable first” menu as she does meatless dishes beautifully. The roasted honeynut squash looked plain but was flavourful in a bright refreshing manner. Who would have known salsa verde could be a great compliment for root vegetables? And I love how she brushed the shiso leaf with egg white, rather than dipping it in tempura, to create a crispy but not oily bite.

The salmon was poached to a medium doneness, so it was juicy and tender. And while I enjoyed the cucumber and green tomato garnishes, I can’t help but feel it was missing something. A grain of some sort, whether it be couscous to keep it light or a risotto to make it hearty would be appreciated.

Generally, I find sorbet palette cleansers to be too sour or sweet. At Ore, their pear sorbet was fantastic with a hint of nuttiness and a cold pop from the semi-frozen green grape. Can I get another one of these with dessert?

Boy did the short rib smell amazing glazed in a lemongrass (?) and soy demi glace. And while the sauce was a tad salty, it did fully permeate the chunk of tender beef. Yet, it was the fluffy smoked potato dumpling that stole the show for me. You can’t go wrong with meat and potatoes.

When I heard their dessert was Black Forest cake, childhood memories of disappointing birthday celebrations flooded my mind. Luckily, Ore’s rendition was good, incorporating a moist chocolate cake and Amarena cherries that had its sweetness balanced with bourbon. Ultimately, it was the dark chocolate ganache that really helped bring it all together… maybe this cake has redeemed itself.

Ore’s petit fours were a welcomed ending. While the rum baba needed more liquor to not taste like a profiterole, I enjoyed the bite along with the soft chewy macaron and micro chocolate truffle.

Sitting in the cave-like environment, I couldn’t help but get sleepy, especially as our meal went past the 3-hour mark. Ore attempted to keep us awake by blasting music, which was too loud for the enclosed low ceiling environment. As much as I enjoyed the unique dining room, increasing the meal’s pace and decreasing the music’s volume are some small changes Ore could implement. 

Omakase is like the ramen craze from a decade ago. Every season I hear about another Japanese restaurant offering a chef’s menu – some at $100 or less, while others in the hundreds of dollars. It’s difficult to decipher which are good, the options seem endless.

I’ve heard of Sushi Yugen and their $98 main counter omakase and determined it’s a place that maybe I’d visit. It wasn’t until a friend who indulges in a lot of fine dining mentioned the restaurant, giving their chef’s table menu ($275/person) a high recommendation that I finally booked a reservation. And I was not disappointed.

The higher price point gets you into a more intimate room where Master Chef Kyohei Igarashi personally prepares the meal. Igarashi spent 15 years in Japan, learning the craft at high-end sushi and kaiseki places, before finally settling into a Michelin starred restaurant where he spent another seven years.

Indeed, the omakase menu showcases his background, starting off with six kaiseki dishes before the nine pieces of nigiri are presented. He comes out shyly, his accomplishments touted by a translator, and immediately launches into squaring off fish filets so the slices end up all evenly presented amongst the diners.

Our winter menu begins with a hot bowl of broth. Japanese turnip is cooked and then likely pulverized so it melts throughout the soup, causing it to thicken a bit. I would have thought the monk fish liver and leeks would be strong, but somehow the addition of yuzu mellows the ingredients and ties everything together.

Sushi Yugen serves a menu worthy of a Scandinavian spa as it goes from hot to a cold plunge. A bowl of fluke arrives in a beautiful ice dome doused in a special soy-based sauce and covered with black truffle shavings. The delicate white fish allows the truffle’s flavours to be prominently featured. The combination of meaty fish and the fungi’s earthiness is an interesting flavour profile that somehow works.

A bowl of soumen arrives adorn with edible flowers and thinly julienned Japanese ginger, sitting in a three-fish broth (bonito, tuna, sardine). Normally, the bowl of noodles has a deep savoury taste. Sushi Yugen’s still has that element, but the floral and ginger finish gives the silky noodles a bright burst… almost like that pop of basil on a gooey cheesy pizza.

Steaming sauce is brought to the table and quickly ladled into individual bowls to cook the seabream table side and create Yugen’s version of shabu shabu. While the rich soy-based broth was too tad salty to finish, it helped flavour the fish, which was just cooked through remaining flaky and tender. Make sure to use some of the yuzu chili paste, it’s such a great condiment that I want to use on everything.

Being Chinese, I’ve had my fair share of abalone, but having it fresh was a completely different experience. Chef Igarashi trims off the gills and liver, using them to create a thick rich sauce. Meanwhile, the meaty part of the sea creature was simply sliced and more tender and sweeter than my past experiences. We’re advised to leave some of the sauce in the bowl, at which point, Igarashi places some rice so we can mix it into the rich sauce and finish it off.

The uni rice bowl was like an over-the-top seafood risotto, the uni sushi rice adorned with chopped fatty tuna, ringed with briny fish roe, and then topped with caviar. Looking at it, you’d think it would be so rich and decadent, but surprisingly the vinegar in the rice cuts through it to make it lighter than you’d expect, while still having a powerful taste of the sea (in a good way) and a lovely creaminess.

After the last flavourful kaiseki dish, the nigiri begins, but not before a big pile of chopped ginger helps cleanse the palette. Cut into smaller pieces, I enjoyed the little bits that helped provide a refresher without being too much.

The nigiri starts with a piece of filefish (kawahagi) adorned with its liver. It’s meaty and creamy, but also lightened with the heavily vinegared rice that’s made with a combination of three vinegars.

I had the cleanest tasting scallop at Sushi Yugen, it’s sweet without an ounce of gumminess. When pressed, Chef Kyohei Igarashi did explain the three-step process he uses to ensure it’s so silky and fresh. I promised I wouldn’t give away his trade secrets, so you’ll have to ask him yourself.

The saba was flavourful with a pop of freshness, despite not being heavily loaded with green onion and ginger. Left neutral it was still delicious.

A trio of tuna arrives afterwards with the lean akami being marinated so it was flavourful, especially brushed with an extra bit of sauce.

Indeed, the fattier tunas were decadent. I was surprised by how soft and buttery the chutoro was already, to a level that made the otoro seem not as different.

A tray of hot charcoal arrives for the next piece. They are used to sear the top of the nodoguro saikyozuke, a black throat seaperch to crisp up the skin and emit an intoxicating aroma that reminds me of Japanese barbeque. The fish almost has a unagi (eel) consistency, delicate and soft, and very flavourful as it was already marinated in miso, but with a fresher finish.

The anago or conger eel was tasty, but it’s hard to follow the delicious seaperch. Nonetheless, the eel was hot and meaty and has that slight sweetness that’s synonymous with eel without being too sugary.

Yugen’s tamago was cake-like in consistency with an almost savoury finish. I only wish the piece was larger and served warm.

Our meal ends with another bowl of piping hot soup, this time the traditional miso consisting of a rich broth with finely chopped seaweed.

The dessert leans towards kaiseki preparations again. Instead of the typical musk melon, ice cream, or mochi, Yugen presents a beautifully prepared fruit jelly topped with white bean paste dusted with matcha powder and adorned with a salted Sakura flower. What a beautiful finish.

Summing up Igarashi’s menu, I’m impressed by how well he balances rich ingredients to create a dish that still has a freshness to it… I left satisfied but not feeling heavy. Armed with our remaining champagne, we’re invited to their “patio” in the lobby, where we could finish the drinks without being rushed to leave.