Tucked away on a quiet street in Yorkville, just across from the Toronto Reference Library, is Kiro Sushi. The storefront doesn’t look like much, but through word-of-mouth, people have found the restaurant as it’s packed to the gills during my Friday visit. Even the walk-in closet sized “party room” in the back is occupied, seating an additional three tables.

I can see why patrons are drawn to the restaurant. It’s a cozy place that seems more at home in a suburb than amongst the Yorkville set. Their menu’s extensive and prices are very reasonable, especially given its location.

Five large prawns arrive with the shrimp tempura ($12), freshly fried so it’s wonderfully hot and crispy. While it could have benefited from being drained a bit longer and the dipping sauce less watered down, it’s a great way to get the meal started shared amongst a table.

I was astounded by the size of the hamachi kama ($9) given the bargain price point. Sadly, you get what you pay for as the generally tender fish jowl was overcooked leaving the dish too dry and a bit chewy.

Always go with a restaurant’s namesake menu item as the Kiro roll ($15) was my favourite bite that evening. The rice was pressed to a cardboard thinness, the California roll base (imitation crab, avocado, and cucumber) topped with salmon, scallop, and tobiko before having a light torching.

Try as I might, I could not get the entire bite into my mouth in one go. There was a great number of toppings and the julienned cucumbers so crispy and fresh that it brightened up the entire maki. If only the spicy mayo had some heat, this would have been perfect.

If you’re not a fan of oily aburi, you’ll love Kiro’s ebi pressed sushi ($16). The shrimp topping didn’t have an ounce of mayo instead relying on tobiko, scallions, and furikaki (a rice topper) to give it texture and flavour. Of course, that dryness doesn’t lend itself to capturing that smokiness and caramelized colour you’d expect from a torched sushi but does create a lighter bite.

Despite having plenty of leftovers, I just scratched the surface of Kiro’s offerings. Their donburi bowls were substantial and generously topped, the sushi dinner a great mix of fan favourites, and even the neighbouring bowl of udon had me second guessing my initial order. It’s a restaurant that’ll bring people who are in the know back, to try that one dish they couldn’t get to on their last visit.

In a neighbourhood filled with sushi eateries, it’s difficult for Issmi Japanese Restaurant to stand out. They offer a menu filled with variety, affordable prices, decent food, and friendly service; yet, in the Lawrence Village area this isn’t enough to be busy. I guess you can add ‘ease of securing a table without a reservation’ to the benefits of dining at Issmi.

The meal’s highlight was the rice paper roll ($20), a great option for those watching their carb intake as salad greens fill in for sushi rice. Stuffed with crab salad, spicy tuna, and shrimp tempura it’s a surprisingly hearty and creates enough flavours that it didn’t taste too healthy.

Pair the maki with an avocado salad ($9) and miso soup ($3) and you’ve got yourself a complete meal. I’m glad Issmi doesn’t skimp on the avocado, there’s plenty of it fanned across the simple green salad tossed with Issmi’s sesame and soy house dressing. And while the miso soup wasn’t overly exciting, it’s also not an expensive add on, arriving nice and hot.

There are also several sushi dishes that don’t break the bank. The Matsu sushi ($25) contains a well stuffed dynamite roll that rival most in the neighbourhood and 10 pieces of nigiri. The nigiri was where Issmi falters a bit: the rice not seasoned enough and some of the fish felt a touch dry. Still, these are just slight nuances that could easily be overlooked.

In another neighbourhood, Issmi would likely be a strong contender for becoming a local go-to. Unfortunately, they’re operating in a competitive area where there are some exceptional choices. In a pinch, when my favourites are closed or fully reserved, I’ll remember Issmi. For a backup, they’re a great safe option.   

MSSM isn’t your traditional omakase restaurant. As you ascend the steps from Yorkville, the energy level of the restaurant matches the neighbourhood. At least three people yell out shari as you enter, which means ‘sushi rice’ in Japanese. There’s music pumping and in lieu of the typical wooden sushi bar the dining room contains white graffitied walls and pink neon lights. We aren’t in Tokyo anymore Toto.

Also, unlike typical omakase spots, the sushi bar is HUGE. It can easily accommodate twenty people with five chef stations laid out so that each are preparing food for about four customers. Despite the sheer number of patrons, there’s something intimate about being nestled in a group around one chef, in an instant he put me at ease with questions and jokes… conversations are encouraged here.

What also makes them different is the price point - $98 per person instead of the $200+ that you’ll usually pay. Chef Masaki Saito realized not everyone could afford (or get a reservation) to his two Michelin star restaurant, hence opened MSSM as a means of allowing more people to get to experience the art of omakase.

Traditions be damned, MSSM starts off their menu with a hand roll. Filled with finely chopped tuna and pickled radish wrapped with shiso leaf and freshly toasted nori, it’s an interesting and hearty way to start off.  

The following bonito with apple onion sauce was too pungent for my liking with so many leeks, ginger, and chives. Perhaps if it’s accompanied with something creamy, like a sesame sauce, it would help balance out the dish.

MSSM also uses a sense of showmanship, presenting trays of the seafood that would form the ten pieces we were about to sample before slicing and preparing. Once ready, a bucket of rice is whisked out and periodically changed to ensure it’s at the optimal temperature. Indeed, the rice is nice and warm but could use more vinegar.

To start, the stripe bass (shima Suzuki), a clean and light tasting fish that is often used to warm up the palette. It’s immediately followed by salmon (zuke sake) that’s been marinated for a couple of hours in a “mother sauce” that gets cooked, added to, and reused… not unlike a sourdough starter. What a flavourful piece topped with a finely chopped green onion paste.

MSSM’s scallop (hotate) tastes clean especially when finished with drop of lime juice. I love that it’s not overly gummy so that you could chew the seafood and take in the scallop’s sweetness. A sprinkle of sea salt may bring out the flavours even more.

A hand torch crisps up the skin of the sea bream (madai) while also bringing out the fish’s oils and flavours. With a light dusting of salt, a bit of chili radish paste, and a drop of lime, it’s a nice bite that gives out heat and a slight smokiness.

In fact, I really appreciated the garnishes used on the nigiri. The bit of chopped yuzu peel on the blue fin tuna (akami) gave the fish a freshness that awoken the otherwise meaty fish. Our chef explains that they chop the garnishes by hand as they found using a food processor adds a bitterness to the items. Yes, that is one of the many tasks that keeps them busy before dinner service.

What really intrigued me was the chawanmushi sushi. I’m a big fan of the steamed egg and couldn’t understand how they were going to morph it into sushi. What first arrives is the typical dish – steam egg steamed with bonito and kelp stock. It didn’t look like much, and we’re told to just have a taste of it – good but not overly exciting.

The chef than takes it back and adds sushi rice, Dungeness crab sauce, yuzu peel paste, and wasabi before re-presenting the chawanmushi in front of us. Once it’s all well mixed together, it becomes this incredible eggy seafood risotto that is one of my favourite bites of the dinner.

After the high comes a small low, a spot prawn (botan ebi) with lime. While I’m glad it wasn’t too gummy, I still don’t like the texture of the raw shrimp … not one of my favourite bites.

It’s unclear whether torching the bluefin tuna belly (toro) makes it better. Sure, I liked that the fish oils were starting to liquify, but I found the piece a tad chewy – not necessarily from the fish, but perhaps from the spring onion inside. While still a nice piece, it just didn’t the pow of flavour that normally comes from a fatty tuna.

Give me dashimaki instead of tamago any day. At MSSM, the egg omelette is warm and savory with a moistness that keeps the layers light and fluffy. All hail the dashimaki!

The hand torch makes one last appearance with the sea eel (anago). After being liberally heated, some lime and yuzu peel is added to the slightly sweet, delicate, and tender eel. What a wonderful final bite.

So, what makes MSSM’s omakase experience different, other than the price? It certainly relies on volume. The five chefs are preparing the omakase at a decent clip and soon after they are done the miso soup arrives. The broth is made with fish bones instead of a strong dashi so there’s a mellowness to the soup. It’s adorned with Japanese chili powder and spring onions, giving it a spicier finish than traditional versions.

Dessert consisted of house made strawberry daifuku. Certainly not as incredible as the version I had at Kappo Sato, but still a good rendition of chewy mochi encapsulating sweet azuki paste and a juicy strawberry.

As a warning, don’t arrive too early for your reservation. As MSSM relies on volume, the seatings are close together and they may not be ready if you show up more than five minutes early. Luckily, Yorkville is a great place to walk around, so we kept ourselves entertained for ten minutes with ease.

Given some of the chefs and staff have worked together at Tachi, there’s a natural ease in the operations despite our opening week visit. I love the comradery and casualness between the staff, which makes us laugh and feel comfortable speaking to the strangers sharing the table around us. After all, it’s not every day you hear the sous chef joke that the chef is her “work husband” instead of curtly replying “yes, chef”.

Not taking themselves seriously and laughs is what MSSM is about. When I asked what the name stood for, our chef cheekily replies - Masaiki Saito Sexy Man. It’s unclear if this is real or he’s joking, but after seeing their sake pot, I thought there could be some truth to the name. And yes, call me a child, but if you serve me sake in that vessel with two round cups, you must expect a photo like this. Take it easy and just enjoy the shari!

Shunoko reminds me of Shoushin, before it was awarded a Michelin star and their tasting menus now start at $330. The restaurant quietly opened in the spring and was relatively unknown unless you’ve visited their previous location at Yonge and St. Clair. It’s helmed by Chef Jun Kim whose father and uncle both owned sushi restaurants in Korea.

While Shunoko offers an a la carte menu, it’s their omakase that drew my interest. The promise of twelve pieces of sushi, four “tastings”, and a dessert for only $100 seemed too good to be true. I arrived with lowered expectations and was blown away by the experience.

Best yet, there’s also a $30 wine pairing that’s an appealing contrast to the traditional sake pairings. Chef Jun notes that he likes wine, especially natural ones, and prefers its subtle flavours when paired with sushi. He likes to just crack open bottles with friends, while eating sushi, and see what works. Up first, a flute of light dry cava from Barcelona, a classic wine to pair with fish.

The meal started with a cube of cold tofu topped with spot prawn and ikura (salmon fish roe). I’ve never been a fan of the texture of raw shrimp. Shunoko’s was still a bit gummy, although less so than some establishments, but could be even better if it was quickly poached. The combination of briny ikura and soy was also a tad salty, working well with plain tofu but detracts from the shrimp’s sweetness.

Luckily, the following sea bream with ginger dressing was a hit. The sauce reminds me of the concoction used on salads, excepts less vinegary and having a thicker purée consistency. It goes so nicely with the slices of meaty fish, giving it a warm feeling, even though the dish was served cool – you must taste it to understand. The bits of chives rounded it off so nicely.

The first nigiri of the night was fluke wrapped around sisho leaf and topped with a piece of its fin. A lovely fresh start with a bit of interest from the chewy fin piece.

It’s followed by the chicken grunt, which is the strangest tasting fish I’ve ever had. While it looks like it comes from the sea, it has the taste of chicken, especially the chewiness of its skin. There’s a gaminess to the protein that’s mellowed a bit by the chives but could use something stronger like chopped scallions and ginger. While not my favourite bite, it’s nevertheless interesting to try.

Chef Jun simply tops the sea bream with rock salt, which while simplistic changes the taste of the classic fish. It’s savoury and neutral so that you can also enjoy the warm creamy rice, that has a lovely soft consistency but could use a splash more vinegar.

The amber jack was nice and meaty and had a light spicy essence from the pepper leaf topping it. But what made this piece shine was the French cider pairing. The cider must be aged in barrels giving it an olive scent. Yet, when you drink it, there’s a mellow sweetness that finishes off so smoothly, not like the overly fruity and bubbly canned cider you’d find at the LCBO.

One of our favourite pieces of the night was the yellow tail finished with ponzu and chives. It’s perfect for the warm whether, so refreshing and bright.

If Chef Jun didn’t tell me the next piece was striped jack, I’d almost think it’s horse mackerel as there’s such a meatiness to the fish. All while still having a clean neutral finish.

It’s at this point in the meal that the restaurant seemed to be in full swing, the four tables for two and the approximate nine chairs around the sushi bar were almost at capacity. Given Shunoko offers an a la carte and two omakase menus, it’s quite the feat to juggle.

From what we could tell, Chef Jun concentrates on the omakase experience while the other sushi chef focuses on the rest. The sous chef also fills in as the sommelier, explaining what we’re drinking and how many courses it should last.

The biggest flop for me of the evening was the scallop with truffle oil. Oh, truffle oil, such a powerful seasoning that can work with neutral fatty items but overpowers the scallop until it almost tastes bitter. At least it was paired with a gewürztraminer, the wine’s slight sweetness helps to counteract some of the bitterness. It was a lovely version of the German wine, ending with a buttery finish.

Shunoko’s horse mackerel was so refreshingly clean that it’s a testament to Chef Jun’s expertise. He knows how to prepare and neutralize a cut that can sometimes be so overly fishy.

The following Portuguese sardine was a tad gamier, but when paired with onion helped to ensure any fishiness was offset. Surprisingly, the fish was delicate, perhaps it’s because I’m normally familiar with the packed canned variety. This was paired with a French sparkling rosé, a lovely summery wine to finish the tasting.

Oddly, it was the blue fin tuna that had a gaminess, for what is normally a crowd-pleasing piece. I’m wondering if the chef mistakenly called the cherry salmon, which was listed on the board, tuna instead as this really didn’t taste that much like blue fin to us. If it were salmon, it would make more sense, like a concentrated slice of the fish.

I thoroughly enjoyed the bonito that had such a different creamy finish than most establishments. The lightly smoked fish was topped with ponzu and daikon for a bit of freshness.

Another “first taste” of fish for me of the night (aside from the chicken grunt) was the phantom fish. Despite looking like a traditional white fish, it’s rich in taste – almost like a mackerel and bonito morphed into one – so was aptly adorned with shallot to give it a punch. It’s a fascinating fish as it emits a taste that reminded me of the ocean. Let me know if you try this and feel the same.

Finally, something that actually tastes like blue fin tuna, this piece consisting of the belly cut with more chopped tuna on top! Finished with a light floral shisho flower and rock salt, this was another favourite of the evening.

Shunoko’s miso soup must be made with a fish bone broth as there it’s creamy, rich, and has a slight oiliness. Whatever it’s made with, it’s delicious and hearty, even containing some crispy napa cabbage.

Usually, when the soup is served, the meal finishes and turns to dessert. At this point, Chef Jun comes over to ask if we’d still have room for a hand roll. While I was getting full, how do you turn down another taste? He ended up presenting us with a hefty roll filled with sea bream (?), marinated mushrooms, and sisho leaf so there were so many flavours wrapped into one crispy shell.

Imagine our surprise, when the nigiri procession continued with the last piece – a tamago taco. If you’re worried about leaving the restaurant hungry (I’ll admit, my husband and I usually get something from McDonalds after some omakase meals), it won’t happen here. Shunoko’s tamago was three slices wrapped around rice. It was slightly too cold for my taste, but with its sweetness perhaps its meant to be enjoyed like a custard dessert.

Only, we were presented with actual dessert: a rich coconutty taro ice cream. It’s so creamy and delicious that I thought they would have made it in-house, but we’re advised it’s purchased from a third-party. Boy, would I like to get my hands on a take-home pint. There’s a lovely, toasted taste to the ice cream, perhaps it mixes in crispy coconut chips?

If the above sounds like too hefty a meal, Shunoko offers a “Nigiri 10” menu, which consists of ten pieces of sushi (essentially ten of the pieces that is part of their omakase menu), tamago, and miso soup for less ($67 during our dinner). Best yet, this menu doesn’t require pre-ordering with reservations, so if you find yourself walking by Shunoko and have a hankering for good sushi, you can walk-in and enjoy.