Shakespeare’s famous saying proclaims, “If music be the food of love, play on.”  It aptly reminds me of Bar Poet, a restaurant that blends top 40 tunes from past and present, an eclectic comfort food menu, and arcade games. And by the end, the 2-hour seating limit flies by and all we want to do stay longer.

The arancini ($15) was seriously good. Made with mushroom risotto, there’s an earthiness to the creamy rice ball that’s stronger than the cheese only versions. But add in sambal cream and chili oil and that hit of heat goes so well with the comforting starter.

Somehow, we ordered a lot of dishes incorporating chili. The NYC spicy rigatoni ($18.95), an item so highly recommended in Google reviews, was surprisingly plain: pasta tossed in a spicy rosé cream with a fine dusting of Parmigiano. While it was tasty, a few spoonsful were sufficient, I can’t imagine having an entire dish to myself.

Even the Dovercourt and Queen ‘sweet’ calamari ($19) had a zing. The menu describes the sauce as being tomato based (pomodoro aioli) but tasted like the spicy rigatoni. Regardless, it’s a flavourful dish as goat cheese, chives and pickled peppers mingles with the squid. Even though the ingredients do detract from the calamari’s crispiness.

Bar Poet is known for their pizzas (all $22). If you like pepperoni, you’ll love the Hot Rod, a pie covered with tiny pepperoni with hot honey creating a sweet, salty, and spicy bite. For me, it was a bit greasy and heavy, but likely wouldn’t bother a pepperoni aficionado.

I preferred Rob’s Favourite Pizza, which sounded like a hodgepodge of ingredients, but they work together so nicely. A white pizza made with alfredo bacon sauce, it combines pulled chicken, brie, kale, spinach, caramelized onion, hot honey, chili flakes, and Parmigiano. Despite all the spicy elements, the pizza was the least spicy of the dishes we ordered, likely the chili and hot honey calmed by the creamy ingredients. Rob knows how to create an interesting meaty pie.

The pizza crust stays dry on the bottom despite an ample number of toppings. While it doesn’t have the requisite crispiness I enjoy, there was a lovely chewy consistency and sour dough finish that makes it tasty even without dipping sauce. Additionally, I love the inclusiveness of Bar Poet’s pizza menu with pies available gluten-free as well as vegan.

Everyone raves about the tiramisu ($9). While it wasn’t terrible, it also wasn’t great. It incorporated too much cream (didn’t incorporate enough mascarpone) and not enough of the espresso ladyfingers. While the Skor bits adds a unique element, left in chunks it was too crunchy and would be better in powdered form.

We were intrigued by the peanut butter espresso martini ($19), which emits a faint aroma of peanut butter but none of the taste. A decent rendition of the drink, it’s really sugary given it’s mostly made with Tia Maria and no vodka. Ultimately, one is enough, and I was glad that I switched to their other cocktails like the white negroni ($19).

Amongst the foliage ceiling and twinkling lights, Bar Poet creates a unique environment. Somehow, amongst the blasting music and Skee ball machines, there’s a romantic aspect to makes you want to eat, drink, and play on.   

While Osteria Giulia has been awarded a Michelin star, it’s unlikely they’ll receive a service award anytime soon. Having arrived five minutes early, they weren’t ready to seat tables and we were asked to leave – no option to wait inside or at the bar, what a pain during a windy cold fall evening. Nonetheless, once we were seated, our waitress was warm and welcoming, making up for the poor first impression from the hostess.

Luckily, the food didn’t disappoint. The burrata e caviale ($45), although served a bit cold for my taste, was soft and fluffy, the centre creamy but doesn’t ooze out upon being cut through. The simple starter was a cacophony of flavours mixing briny Italian caviar, sweet Asfodelo honey, and a smoky sourness from the Blackbird bread. That splash of sweetness from the honey was unexpected but absolutely made the dish.

Pull apart the calamari ripieni con tonno ($36) before taking a bite and you’ll find the delicate seafood stuffed with yellowfin tuna paste so there’s a meatiness to each bite. It’s topped with a puntarella and charred pepper salad, giving the calamari a refreshing crispy bite. I’m glad it wasn’t overloaded with too many sauces so that the natural seafood flavours were present.

In retrospect, the lorighittas al mare ($38) was too similar to the calamari. In fact, when the dish was presented, all I could see was a plate of squid rings, only to find many were circles of hand braided pasta. Our waitress explains what makes the dish special is the time intensive nature of creating the pasta, which did have a lovely bite to it. Everything is tossed in a tasty olive oil sauce with a hint of garlic, chilli, and an umami essence from anchovy. I just wish the dish had more of the bay scallops and even some spot prawns thrown in to make it taste more like a seafood pasta.

I’m generally hesitant to order ravioli as it’s usually a scant dish and when they are not adequately filled it can taste like you’re eating pieces of dough. Osteria Giulia’s ravioli doppi ($44) smartly has one side unsealed so they can be overstuffed with silky ricotta and sauce, so you get a gush of filling with each bite. Chunks of lobster and kernels of sweet corn add richness and texture to the dish. It was an impressive dish and the most memorable of the evening.

If you’re visiting the restaurant and expecting to be full after an appetizer and pasta, you’ll be disappointed. Following true Italian traditions, the pasta is just the second course, you’ll need to order a main. We shared the rack of lamb for two ($85) and were presented with eight perfect medium rare lamb chops that were lightly dusted with sea salt. While this would be even better if it was served with a sauce, to give it interest, the meat was prepared beautifully.

The fagioli ($16) went particularly well with the lamb, the crispy beans well coated with a salty spicy meat sauce that added a punch of flavour against the otherwise neutral lamb.

With a selection of delicious sounding desserts, I opted for the millefoglie al cocco ($19), which was beautiful to take in with the thin layers of crispy pastry separating dollops of white chocolate and mango cream. It’s a dessert that could have benefited from being served with a knife, as it was difficult to break through the puff pastry.

Every table needs to order the tiramisu alla Giulia ($19), a rendition of tiramisu that brings it to another level with the ice cream centre and huge dollop of mascarpone and rum zabaglione on top. It was so rich and delicious… how can I have tiramisu any other way?

Osteria Giulia gets mixed reviews online and I can see why: what you order and how much you order can really affect the experience. While it’s a great Michelin option for those who have a smaller appetite or want the flexibility of controlling a budget for the evening, the restaurant should consider making a tasting menu to ensure tables get to really experience all their “best of” dishes – the ravioli, burrata, and tiramisu.  

The restaurant is certainly one of the more inventive Italian restaurants I’ve visited in Toronto and offers some impressive dishes. Still, there’s something about the experience that’s lacking compared to other Michelin restaurants in the city such as the absence of well-rounded service, not serving fully presented mains, and employing annoying nickel-and-diming practices like charging $3 a person for water. Unlike their ravioli, it’s not one experience I’ll be gushing about. 

Fismuler operates with an efficiency that seems apt for it’s German sounding name. Not long after sitting down, a starter of bread and whipped paté was brought over while we settled in. Just be mindful the nibble costs 2.75€ a person, a fact detailed at the bottom of the menu we had yet to review. Still, we enjoyed the soft crusty bread, silky and light paté, and thin lightly pickled cucumbers that helped tide us over.

The small plates were the more impressive dishes of the evening. Consequently, the crusty bread goes nicely with everything so try not to devour it right away. The sweet tomato salad (13.50€) was simple but deliciously good - ripe sliced tomatoes topped with a fragrant olive oil and flakes of salt.

It complements the burrata (17€), which has an amazing spicy green mole giving the cheese a burst of flavour. In fact, the whole dish was different: the burrata accompanied with roasted broccolini, an unusual green that works. I could have easily had an order to myself.

When our server suggested the chicken wings (18.50€) I had my doubts, but the nuggets of fried deboned chicken tossed in a creamy truffle sauce were addictive. The sauce, of course, became an excuse to have even more bread.

Of the small plates, only the fresh calamari (20.50€) was a bust. The seafood was over cooked, way over salted, and hidden amongst so much unnecessary foam. Give me more of the chicken wings any day.

Still, the calamari was better than the egregiously overdone and tough duck (25.50€), one of the worst renditions of the dish I’ve ever had. Perhaps, it could have been salvaged if the duck was cut thinner… even then, I feel they would still be chewy. The side dishes weren’t any better: the charred corn turned out to be the canned variety and the spring onions left whole and unseasoned. The best part of the dish was the puréed sweet potatoes.

I wish I had heeded the server’s recommendation to order the Viennese schnitzel (29€). Pounded to a cardboard thinness and the size of a pizza, the schnitzel gets a thin coating of raw egg yolk tableside before being jazzed up with shaved truffles and chives. It was perhaps a touch salty, but at least it was crispy and not overdone.

The financial core of Toronto isn’t what it used to be… it’s quieter and less hectic. Yet, I’m happy to see that restaurants are still opening, and their opulence hasn’t taken a hit. Black + Blue has made its way from the west coast and into the Exchange Tower, occupying the former site of the TSX. It’s a massive space with soaring ceilings and a grandeur that makes you stop for a moment to take it all in. Focus on the details and you’ll realize the large bull artwork on their wall is made up from hundreds of steak knives, how cleaver.

Their prix fixe lunch menu ($45) offers diners a choice of a main with either an appetizer or dessert (some supplements required). Word for the wise: you’ll want to share the appetizers as some dishes are rich and the portion sizes would impress a Texan.

Thinly sliced barely seared beef forms a beautiful ruby base for the beef carpaccio. Dressed in horseradish crema and tangy pickled shimeji mushrooms, the two give the meat bright pops of flavour. Personally, I would have gone with either the crispy shallot or fried capers on the dish; having both seems like overkill and the oily garnishes overtook the delicate tender beef. But the slices of shaved parmesan were a great addition offering a bit of sweet and saltiness.

Black + Blue’s calamari is left in thick sticks, lovely bites of tender and meaty squid. The coating is crispy and light but also too salty so that it renders the dipping sauce useless. If you’re going to provide a condiment, it’s best to reduce the seasoning so that diners can taste the sauce.

Leave room for the mains as they are big. A huge cone of sizzling hot parmesan fries arrives with the steak frites ($15 supplement), they are deliciously covered with a layer of cheese and a bit of parsley for a fresh richness. Once again, I did find them over seasoned so with the garlic aioli (a tasty rendition) it ends up being too salty. I also had to leave the red wine jus unused as it was a bit too soy sauce and beef stock heavy to pair with the steak.

The steak frites includes a sizeable sirloin but it was cooked poorly: the medium rare is well seared on the outside but still fully rare in the middle. My husband, an excellent steak preparer, hypothesizes that the meat was too cold before being placed in the pan, evidenced by the tell-tale ring instead of a gradient doneness.

When my friend mentioned the undercooked steak to the manager, he brought over a doneness card to indicate the steak was cooked to their medium rare standard. My recommendation: print more of these cards and place one in each menu, so diners understand Black + Blue’s definition as it doesn’t appear to follow the Toronto standard.

Still, the manager was nice about it and noted they would have been happy to put the steaks back on the grill (likely not something chefs trying to time the next table would be “happy” about) and made up for the miscommunication with a plate of petit fours.

Underdone steak aside, Black + Blue nailed their service as everyone was a delight: professional and attentive without making the restaurant seem stuffy. Of course, the environment is anything but stuffy with the airy high ceilings and upbeat songs blasting from the speakers. One thing’s for sure, this isn’t your typical steakhouse.