While Osteria Giulia has been awarded a Michelin star, it’s unlikely they’ll receive a service award anytime soon. Having arrived five minutes early, they weren’t ready to seat tables and we were asked to leave – no option to wait inside or at the bar, what a pain during a windy cold fall evening. Nonetheless, once we were seated, our waitress was warm and welcoming, making up for the poor first impression from the hostess.

Luckily, the food didn’t disappoint. The burrata e caviale ($45), although served a bit cold for my taste, was soft and fluffy, the centre creamy but doesn’t ooze out upon being cut through. The simple starter was a cacophony of flavours mixing briny Italian caviar, sweet Asfodelo honey, and a smoky sourness from the Blackbird bread. That splash of sweetness from the honey was unexpected but absolutely made the dish.

Pull apart the calamari ripieni con tonno ($36) before taking a bite and you’ll find the delicate seafood stuffed with yellowfin tuna paste so there’s a meatiness to each bite. It’s topped with a puntarella and charred pepper salad, giving the calamari a refreshing crispy bite. I’m glad it wasn’t overloaded with too many sauces so that the natural seafood flavours were present.

In retrospect, the lorighittas al mare ($38) was too similar to the calamari. In fact, when the dish was presented, all I could see was a plate of squid rings, only to find many were circles of hand braided pasta. Our waitress explains what makes the dish special is the time intensive nature of creating the pasta, which did have a lovely bite to it. Everything is tossed in a tasty olive oil sauce with a hint of garlic, chilli, and an umami essence from anchovy. I just wish the dish had more of the bay scallops and even some spot prawns thrown in to make it taste more like a seafood pasta.

I’m generally hesitant to order ravioli as it’s usually a scant dish and when they are not adequately filled it can taste like you’re eating pieces of dough. Osteria Giulia’s ravioli doppi ($44) smartly has one side unsealed so they can be overstuffed with silky ricotta and sauce, so you get a gush of filling with each bite. Chunks of lobster and kernels of sweet corn add richness and texture to the dish. It was an impressive dish and the most memorable of the evening.

If you’re visiting the restaurant and expecting to be full after an appetizer and pasta, you’ll be disappointed. Following true Italian traditions, the pasta is just the second course, you’ll need to order a main. We shared the rack of lamb for two ($85) and were presented with eight perfect medium rare lamb chops that were lightly dusted with sea salt. While this would be even better if it was served with a sauce, to give it interest, the meat was prepared beautifully.

The fagioli ($16) went particularly well with the lamb, the crispy beans well coated with a salty spicy meat sauce that added a punch of flavour against the otherwise neutral lamb.

With a selection of delicious sounding desserts, I opted for the millefoglie al cocco ($19), which was beautiful to take in with the thin layers of crispy pastry separating dollops of white chocolate and mango cream. It’s a dessert that could have benefited from being served with a knife, as it was difficult to break through the puff pastry.

Every table needs to order the tiramisu alla Giulia ($19), a rendition of tiramisu that brings it to another level with the ice cream centre and huge dollop of mascarpone and rum zabaglione on top. It was so rich and delicious… how can I have tiramisu any other way?

Osteria Giulia gets mixed reviews online and I can see why: what you order and how much you order can really affect the experience. While it’s a great Michelin option for those who have a smaller appetite or want the flexibility of controlling a budget for the evening, the restaurant should consider making a tasting menu to ensure tables get to really experience all their “best of” dishes – the ravioli, burrata, and tiramisu.  

The restaurant is certainly one of the more inventive Italian restaurants I’ve visited in Toronto and offers some impressive dishes. Still, there’s something about the experience that’s lacking compared to other Michelin restaurants in the city such as the absence of well-rounded service, not serving fully presented mains, and employing annoying nickel-and-diming practices like charging $3 a person for water. Unlike their ravioli, it’s not one experience I’ll be gushing about. 

As I recount my latest experience at Alo, I grapple with the final mark: would I still consider them a 9 or a “top pick”? There were dishes that were incredible, but then some that missed the mark. The tasting menu ($225 per person) was off to a shaky start when the canapés arrived.

We’re instructed to eat the four bites in a particular order. The first, an oyster with compressed cantaloupe and Iberico ham oil had a fishy essence without an acidic element (like the traditional mignonette or lemon) to help cut through the strong taste. It also seemed off that it wasn’t ice cold for something that should be served uber fresh. The first bite was a bust.

Slowly, the redemption started with the beautifully presented uni tart, which was made even creamier with a thick crème fraiche on the bottom. While this wasn’t mind-blowing, it was at least not repulsive.

After the fishy oyster I had doubts about the mackerel tart, but this was unfounded as the meaty fish was very clean tasting and well balanced with bright pops of the daintiest tomatoes and fruit. Indeed, there was an ocean-like essence from the caviar, but it wasn’t overpowering.

The canapés ended with a foie gras and strawberry jelly tart that created a sweet and savoury element. This was surprisingly good and wonderfully rich.

It’s unclear if Alo is pandering to Michelin inspectors as the procession of Japanese dishes just seem out of place at a French restaurant. Sure, I can understand if they want to throw in one dish that’s has a Japanese influence, but to feature a handful was just too much.

Moreover, some dishes just can’t live up to what you’d be served during an omakase meal. Chef Patrick Kriss should drop the madai course, a sea bream paired with chili oil, caviar, and kumquat. Like the oyster, it was fishy and warm. Give me this fish cool with freshly grated wasabi and soy sauce any day.

The kinmedai was better, the red snapper was at least cold and refreshing with the oh so finely julienned radish in the centre. The various oils complimented the fish nicely and this was an improvement over the other sashimi course. If Alo must have a sashimi course (why would it), one is enough.

Having a soft spot for chawanmushi I wouldn’t be opposed to this remaining on the menu. The actual steamed egg was hot and silky, but then enhanced with lovely French and Western elements: smooth foie gras tofu cubes, fragrant truffle paste, crunchy radish, sweet corn, and crispy chicken skin. All this amongst a pool of reduced capon broth. What an incredible dish!

At this point, the meal started having an upward trajectory. The chanterelle mushrooms were so meaty and cooked to the point of perfection – no longer raw and spongy but not too wilted either. Paired with spinach, artichoke, and a luscious whipped egg sauce, it was so delicious that I wanted to lick the bowl.

The seared scallop and roasted mussel continued the ascent with its superb execution. The scallop was seared beautifully and super sweet and the mussel so tender ending with a lovely clean finish that it’s unlike any mussel I’ve ever had. Paired with a savoury foam and parsley sauce, these were the perfect seasoning not overshadowing the seafood’s natural flavours.

At the beginning, we were asked if we’d like to substitute the rice dish for foie gras (supplemental $40). Why anyone would want to miss out on the Koshihikari rice with Dungeness crab is beyond me. Koshihikari is a short grain rice that’s cultivated to be used in many dishes, including risotto so that it has that creaminess but also a more distinct grain that Arborio. The risotto was cheesy and savoury with bits of snap pea added to give it a crunchy pop of freshness that was so good that I longed for more. To elevate the dish, thin slices of wagyu beef topped the dish, so that as it melts the fat seeps into the rice. Do not replace this baby.

A boneless lamb chop follows seared to perfection and having a lovely charbroil taste. As you have a cube of the meat with the garnishes, each bite tastes so different – whether it’s the peel tomato, fried shallots, or patty pan squash. Somewhere down the line you sample the the olive stuffed with sausage, which is good but a bit heavy, so I’d recommend saving it for the last bite.

Alas, the meal bell curves with the last savoury dish being mediocre. The striploin was fine, slightly over cooked, but at least having a nice grilled essence. Yet, it’s the miso sauce that really threw me off and added a weird funk to the steak. Perhaps if we upgraded the dry aged angus to the Japanese A5 wagyu (supplemental $90) it would pair better, but as it stood the sauce was a bust. Moreover, the deep-fried eggplant tempura garnish was too seedy and bitter.

The only saving grace was the pain au lait that gets paired with the striploin. It’s just as fluffy and fragrant as I remembered. I absolutely love Alo’s bread, so much so that they even gave us an order to go, what a sweet and unexpected gesture.

Normally, sorbet palette cleansers can be really tart and pungent. Alo tones it down with their take on strawberries and cream where the layer of cream at the bottom helps balance out the frozen Italian wine with strawberries and the champagne foam.

Dessert progresses with a tasty meringue with peach mousse and vanilla cake. Garnished with a verbena lemon sauce the dessert is a nice balance of sweet and sour. After so many dishes, I’m glad it’s a lighter finish that still has a sweetness that satisfies.

It wouldn’t be a French meal without a box of petit fours, presented in a lovely tree box. I love that they made a mini lemon meringue to pay homage to Aloette downstairs but it’s not nearly as good as the sister restaurant as meringue is so small that the bite was fairly sour. The passion fruit caramel was too sticky and the chocolate caramel too sweet. It was the simple strawberry gelee that was just right, enhanced by the fruit’s natural flavours and a great consistency. I felt like Goldilocks going through the petit fours trying to find the perfect bite.

Save room for their canale as it’s a lovely combination of crispy caramelized shell and fluffy moist interior. Consequently, it also paired perfectly with a cappuccino ($6).

The roller coaster food aside, Alo does excel at service. There’s a lovely chill we-don’t-take-ourselves-too-seriously vibe with the 90s rap playing and the entire staff sporting New Balance kicks. Everyone we encountered was so friendly, professional, and knowledgeable that we knew we were in good hands.

Situated right at the Eivissa Marina, I would have considered Mariner to be a tourist trap if their food wasn’t delicious. The wooden beams and bits of foliage offered a sense of privacy, shielding against the crowds, allowing us to tune them out and focus on our meal.

Amongst the twirling fans, which added more ambiance than breeze, we sipped an amuse bouche of olive oil laced gazpacho that was silky and savoury. While I’m not generally a fan of cold soups, amongst the heat and humidity of an Ibiza summer this was a great start.

Some cool appetizers are also ideal. The plate of Iberian jamon (29€) was expertly cut with an astounding uniformity of each slice. At Mariner, the leg of ham was wonderfully marbled with a melt-in-your-mouth quality that beckoned me to have one more slice.

We generally found many restaurants overly toast (some would say burn) their bread, but Mariner’s pan con tomate (3€) was airy and soft… like having the tomato spread on an English muffin. I love the freshness of the tomato and the simplicity of the bread that went well with the flavourful cured jamon.

Although the cheese in the burrata salad (16€) almost became lost amongst the plump cherry tomatoes, arugula, and dollops of avocado cream, the overall salad was creamy and delicious. Given this was rather rich, I’m happy we had thought to order side salads (6€), which helped balance out the velvety burrata and avocado combination.

Sharing the glazed milk-fed lamb shoulder (36€) is recommended as this main is huge. The meat was tender, easily breaking apart with just a fork, presenting a light lamb that wasn’t gamey. If anything, it could have been more heavily season as I found the glaze, while thick and sticky, was too lacklustre and a more savoury red wine au jus would work better, especially to help cut through the richness of the lamb.

The menu describes the protein as being served with asparagus and baby potatoes – essentially, a full and complete meal. While there were plenty of soft roasted baby potatoes, the asparagus consisted of a small spear cut in two, hardly enough to call out on the menu, let alone counteract the meatiness of the dish. In retrospect, a side salad would work perfectly as I really was yearning for something acidic and refreshing to balance the otherwise tasty lamb.

Mariner reminds me not to be too judgmental about a restaurant’s prime location – just because an establishment is in a sought-after area doesn’t mean it’s a tourist trap. There seems to be plenty of Spaniards dining at Mariner (so the clientele wasn’t touristy) and we found the dishes to be delicioso.

If you love tasting menus like I do, Twenty Victoria likely offers one of the most affordable ones in Toronto. Through a prepayment on Tock, the non-refundable six-course meal is set at $175 per person and is inclusive of gratuities (but before taxes) meaning the only thing that needs to be settled at the restaurant are drinks (beverage menu prices also includes gratuities).

That evening’s menu was casually paperclipped onto the drink menu and was rather cryptic, each dish described using two ingredients such as trout & egg. A quick scan of the December offering left me surprised by how seafood forward Twenty Victoria’s winter meal would be, a welcomed change in my books.

But first, a plate of “snacks” arrives, two one bite wonders including a delicate crispy salt cod croquette and a dollop of sturgeon caviar placed on goat cheese and radish. Both worked to wake up the senses and the radish a refreshing and stronger substitute for the traditional blini.  

The first dish, kanpachi and oca root, combines slices of raw fish with a root vegetable that’s described as “a cousin of the potato” and tastes like a starchier jicama. While it looks like sashimi, when the kanpachi is mixed with the crunchy diced oca root, olive oil, citrus, and basil seedlings, the dish tastes more ceviche. It was a vibrant starter that happened to coincide with tropical music being played in the dining room (a mere coincidence), the happy music putting us at ease that it wouldn’t be a stuffy meal.

What seemed like A LOT of sauce arrived with the trout and egg. Yet, the whipped hollandaise-like sauce carried a lightness that didn’t overpower the rich fish and even worked solo with pieces of fallen fish roe. Ultimately, throughout the menu, we found the balance of richness and lightness was what made Twenty Victoria excel – serving a decadent ingredient with something refreshing or at least restrained so that you can continue through the menu without feeling gross.

Pairing chopped walnuts with scallops wouldn’t have been my first choice, but it wasn’t terrible either. The slightly cooked through nuts added a bit of texture against the soft scallops, which were perfectly seared and served with a lovely creamy sauce. In this dish, the raw celery (?) leaves provided a bright element to counteract the buttery condiment.

With the scallops comes their bread course, a magnificent loaf that needs to be sold to go. Hot and crispy, the dark brown crust breaks away to reveal a milky airy centre. It’s their version of Japanese milk bread, which makes complete sense after the explanation as my husband found it resembled a lighter brioche while it tasted like a richer pain au lait for me. Regardless, I only wish I didn’t devour it all as the bread would also go well with the next dish. My advice for you, save a quarter.

Admittedly, I was disappointed to see the ‘lobster’ in the turnip and lobster dish rendered into a sauce, albeit a deliciously rich and silky bisque. It’s that richness that elevates the sweet slender turnip, an ingredient that hardly gets diners excited. Twenty Victoria’s turnip was a great consistency, neither too mushy nor too raw, and when slathered with the lobster sauce and topped with a black truffle does make the root vegetable more palatable.

The lamb was cooked to perfection, and I love that there was a sliver of fat and/or skin on one side that formed a crackling to compliment the tender meat. I wouldn’t have thought to pair lamb with maitake mushrooms and kelp, but both crunchier vegetables went nicely with the delicate tenderloin adding interesting textures in lieu of the traditional mashed or roasted vegetable side dishes.

Prior to dessert, we were asked if we’d be interested in a cheese course, something not listed on the menu. Of course, we obliged, and it was a great way to finish off the wine before diving into a digestif. Large ribbons of Niagara Gold arrived with crisp lavish bread and a slightly sweet quince. Having had this prized local cheese on other occasions, served as a traditional wedge, the ribbons completely changed the cheese’s taste allowing it to cover the tongue and almost melt away. Indeed, cheese please!

The pastry of the carrot pie was a wonderful thickness and consistency, holding its shape but breaking apart easily to mix into the carrot filling. I would have liked the pie to be sweeter, especially since it was paired with tangy unsweetened whipped buffalo cheese and a sea buckthorn syrup. I guess its neutrality helps balance the much sweeter lemon and ricotta cake, a warm moist cake sitting in a light syrup, so the dessert almost feels like a sticky toffee pudding, except with a hint of citrus and not quite as sugary.

Some diners were surprised that Twenty Victoria didn’t make it onto Toronto’s Michelin guide. With their amazing food, it’s certainly a strong contender. I sense that with a couple of small tweaks they could get there … assuming the added stress is something their chefs want, of course.

For example, expanding their tableware selection would help. When someone splurges on champagne ($35) and not a mere sparkling wine, ideally, it’d be served in a flute as opposed to a regular wine goblet.

If I were to get really picky, offering a wider fish knife or a shallow spoon with a dish like the trout and egg, would make it easier for patrons to spoon the sauce and fish roe onto the trout for a more fulsome bite. Yet, it comes back to whether Twenty Victoria even cares. Right now, dining there just seems so carefree, especially when trying to obtain a reservation. Star or no star, it was a shining meal for me.